Landlady is a generous record that delights in music’s ability to refract life’s pain and pleasure back at us in unexpected ways, and equips its listeners to do the same.
“It’s almost a choose your own adventure,” he says in the album bio, “Not in terms of what songs people listen to, but what your ears focus on.” There’s plenty for your ears to choose from: Schatz handles lead vocals, keys, saxophone and vibraphone, while Will Graefe, Ryan Dugre and Ian Chang contribute guitar, bass and drums, respectively, with all three also chipping in backing vocals-the result exists somewhere adjacent to Animal Collective and Tune-Yards. Back in 2014, in the run-up to the band’s second effort Upright Behavior, Schatz (half-jokingly) described Landlady’s sound to us as “adventure pop,” and seven years later, he puts Landlady in similar terms. The self-titled fourth album from songwriter and multi-instrumentalist Adam Schatz’s (Man Man, Father Figures) Landlady is the art-pop project’s first since 2017’s The World Is a Loud Place. Victory is irrelevant, however, since she is exactly where she belongs. But perhaps most importantly, it places her front and center as the scrappy protagonist no one expects to win. It’s an enjoyable listen that cinematically celebrates Del Rey’s vocal prowess.
NEW LANA DEL REY ALBUM 2017 FULL
Chemtrails Over the Country Club is a record full of euphoric highs and baffling lows. This is when the singer is begrudgingly at her best, as she spins tales of heartbreak, misfortune and loneliness.
With the release of Chemtrails Over the Country Club, the focus is placed back to the limitations of her universe. Figuring out who Del Rey is-as primarily shown through her discography-can be as mystifying as the songs themselves. She was pioneering this moody, billowy pop sound, yet her Lolita persona stood at the epicenter of the hype. Her 2012 breakthrough sophomore album, Born To Die, placed the singer directly in front of the sweltering and unrelenting spotlight where the artist’s authenticity was torn asunder. Musicians are known for their abilities to tell stories, and Del Rey has demonstrated an affinity for making hers as dramatic as possible. Lana Del Rey’s creative vision has always been dangerously insular. Lana Del Rey: Chemtrails Over the Country Club The 12-track album consistently offers a gorgeous crooning performance from Lou, and is enchanting throughout.
Lou said in a statement that she “used to feel quite self-conscious about writing love songs,” but it’s hard to imagine so with masterfully sweet tracks like “Heavy / / Light as Air.” Light piano and subtly warped guitars work in perfect harmony with Lou’s angelic, haunting vocal delivery on tracks like “Mother’s Eyes,” punched up by a simple drum beat. Alice Phoebe Lou: GlowĪlice Phoebe Lou’s latest album Glow is breathlessly captivating, a vaguely beachy and peaceful exploration of the Berlin-based artist’s most personal feelings. Get into it all below, both this weekend and beyond. Lana Del Rey’s much-anticipated seventh record is here, as are notable new releases from Middle Kids, Chad VanGaalen, Loretta Lynn and more. Here on the weekend’s precipice, we’re sending you off into Saturday and Sunday with 10 new albums to stream (or purchase!), our top picks of this fine New Music Friday.